The release of Volume Two earlier this year saw the completion of a body of work which founding members Lightburn and Natalia Yanchak recorded over a two year period between Toronto’s Revolution Recording and Montréal’s Thee Mighty Hotel2Tango. Speaking about the process, Lightburn says of the final mix sessions for Volume Two; “At the hotel2tango, it had been a twenty hour day. I worked deliriously towards finishing Volume Two. In part it was because I knew precisely how it was all supposed to fit together but mostly because there was another band’s session coming within just hours. It really recalled those overnight mixing sessions for No Cities Left, complete with a fresh-faced Howard (studio co-owner Bilerman) arriving in the morning, coffee in hand, asking, ‘how did it go?’ I still don’t really know. But I did my best.”

The Dears have majored in bristling honesty throughout their 25 year-strong career, and Volume Two is no less candid, with the microscope turned on Lightburn and Yanchak themselves. Propelled by driving bass-lines, fractious early single Of Fisticuffs doubles down on the propulsive agitation of Times Infinity’s first instalment, typifying the universal, everyday tightrope of choosing which battles to fight. For Lightburn and Yanchak, married with a young family of their own, a sense of protecting what’s important runs deep through Volume Two, though rendered with disarming tenderness.

The Dears emerged out of the early Noughties Canadian indie renaissance, cementing their orchestral-pop- noir sound with celebrated debut album End Of A Hollywood Bedtime Story, in 2000. In 2001 and 2002, they released the EPs Orchestral Pop Noir Romantic and Protest, as well as a collection of unreleased songs, Nor The Dahlias. In 2003 they released their second full-length album No Cities Left, and a string of highly anticipated shows at SxSW ’04 launched their international career. Gang Of Losers was released in 2006, was well received by the press, and was shortlisted for the Polaris Music Prize. A tumultuous transitory period followed. The Dears emerged, stolid, with another meticulously crafted classic, Missiles in 2008, and later 2011’s Degeneration Street.

TOUR DATES 2017

October

Date Venue
Thu 5th Academy 2 Oxford
Fri 6th The Haunt Brighton
Sat 7th Oslo London
Mon 9th Wedgewood Rooms Portsmouth
Tue 10th Deaf Institute Manchester
Wed 11th Academy 2 Newcastle
Thu 12th King Tuts Glasgow
Fri 13th Academy 2 Liverpool
Sun 15th The Grand Social Dublin
Mon 16th Empire Music Hall Belfast
Fri 20th St Pancras Old Church London

Tickets are now on sale

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